Tuesday, June 8, 2021
Pottery Makers' Marks-Tell Us a Story
Wednesday, April 21, 2021
"Chessie" The All-American Cat Logo
I found a treasure at one of my second hand stores this week...a vintage 1970's crewel embroidery kit. The subject of the kit is "Chessie" the Chesapeake & Ohio railroad logo. I was a teenager in the 70's and worked at a department store, in the sewing & craft area. I bought a similar kit there- I loved that project..!
Obviously, I'm a cat lover, but the "Chessie" logo is one of the most popular corporate symbols in American history. In 1933 Chessie became part of an ad campaign to promote C&O's new air conditioned sleeping car service. A service that would let you sleep like a kitten.
I think it is interesting to compare a soft kitten to a hard, modern steel train. The first ad was in black and white and didn't name the kitty. The original etching was by Guido Grunewald, a Viennese artist for $5.00. The first ad was so popular that the C&O's ad agency built a whole ad campaign around the kitten and named her Chessie.
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Saturday, March 13, 2021
Primitive 9-Patch Table Runner-
One thing that all people that sew have in common are fabric scraps. Everyone seems to have their system for organizing them. I like to cut my scraps into 5" squares or "nickels", as they are sometimes called. These are useful as they can be cut into 3-1/2" squares, or 2-1/2" squares. The smallest size I keep are 2" squares.
Eventually, I end up with this:
Time for a scrappy project....! I began by sorting my 2" squares by matching fabrics and colors. I decided to make simple 9-patches for a table runner.
To make a 23"x55" table runner I used:
300 2" scrappy squares
240 2" white squares, or 3/4 yard white cotton cut into 2" strips.
1-1/2 yard for backing and binding.
Thread and basic sewing tools.
This did make a substantial dent in my scrap pile. I began to match sets of five matching squares and sets of four with a complimentary square for the middle.
Then I staked up the sets and cut the 2" white strips. To save time, I began to set up to strip-piece the squares.
I took my stacks and strips to my sewing machine. I put down a white strip and taking from the top of the stack, and started placing one square at a time onto the white strip. Sewing with a 1/4" seam with right sides together, carefully keeping the squares in order. I put aside one square from each set.
After sewing a few strips, I pressed them to set the stitches, then cut them into separate units. Then I pressed them toward the scrappy square, so that there would not be a shadow on the white squares.
After pressing each pair, I put one pair aside, then stitched the square that was set aside to the next pair. I sewed together the last two pairs of the set, matching the center seams, and making sure that the seams were laying in opposite directions, to reduce bulkiness.
After pressing all units the same as before, I added the last set of pairs. This time pressing the seams toward the middle. Now, I had a unit of three pairs, and a unit of three squares.
All that's needed to finish the block is to add the last row of squares.
I finish sewing the last row to the block, and pressed the final seam toward the outside of the block.
I now had a finished 9-patch block...! It's important to turn the block over, and check that the seams are laying straight like this:
Take the time now, and the finished project will lay out smoother. Now, I swapped the positions of the white and scrappy squares and ended up with two piles of blocks.
Sixty blocks total. Now, I started to join the blocks together, alternating the two blocks. I know that most quilters create rows to sew together. I like to join the blocks into squares of four. Then, continuing to sew the bigger blocks together.
Also, when joining the blocks together, I match both the corner seams. This really keeps everything nice and straight. When all the blocks are joined, I had 5 rows by 12 rows. Time to make a quilt sandwich. Layer the completed top over the batting, with the backing fabric on the bottom. Pin together with the large, quilting safety pins. Be careful not punch holes in the fabric or pull threads. Finish pinning and you're ready to quilt..!
I quilted using the "stitch in the ditch" method. Which is sewing over the seams with invisible quilting thread.
I pieced the backing with a cream colored cotton and a small, floral print that's also the binding.
I then finished it with double fold binding. I just used straight of the grain-cut binding, I cut 2-1/2" strips across the fabric. If you would like to finish with bias binding you can find instructions here.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW5fH-lGrltcoujXv2jONO5w2RW4TrB1eC0RVi6yuBYj-6NilIAVARAYWZXpLhc3rI3H8lUwEvU_uJl6D_Une7v42L8fGQsXB7qk09ea0fYbsnZwww0deBBhx3KzwLQAx_Rf3EoNWjBGw9/w640-h486/Binding5.jpg)
Wednesday, August 20, 2014
Virginia Rose China-Homer Laughlin China
Tucked away in a corner, I almost over-looked them. I took a second look & noticed the pretty raised rose pattern & the curved platinum gilt edge. I checked for damage & found only a few minor chips on the back, which actually adds to the Shabby look. On the back also was the company name Homer Laughlin, and the pattern name “Virginia Rose”.
At least I thought it was the pattern name. I looked it up online and found that “Virginia Rose” describes the plate’s shape, not the pattern (I didn’t think it looked much like a rose). Also, the Homer Laughlin Company is a very popular brand. It was established in 1871 by Homer and Shakespeare Laughlin, two brothers who lived in East Liverpool, Ohio. For well over a century, this company has produced high-quality, American-made pottery. It is the largest producer of home and restaurant porcelain dinnerware in the USA. In fact, Homer Laughlin pottery is very collectable, and there are books and web sites dedicated to this manufacturer's products. There are collector's clubs, such as the Homer Laughlin China Collectors Association, which have been created to support collectors, buyers and sellers. Many of their products, such as Fiesta ware, are readily available and sellable in today’s collector's market. Some of the Fiesta ware pieces are quite pricey.
The Virginia Rose dinnerware was designed in 1933, by Fredrick Rhead and HL produced so many pieces of this shape that many of the patterns were never given names. Hundreds of different decorations were produced until the late 1960’s. Virginia Rose continues to be a popular shape with collectors.
![DSC04314 (1) DSC04314 (1)](http://lh4.ggpht.com/-L_sxz2XjeqA/U_T7uaD6AcI/AAAAAAAABg8/ZYN7c44xbEE/DSC043141_thumb12.jpg?imgmax=800)
The Virginia Rose has embossed roses spaced around the rim and was produced on a white or yellow glazed body. There were two other embossed designs, Marigold & Republic, which are often confused with the Virginia Rose. All three shapes were decorated with decals which are either identical or very similar.
There are two popular rose patterns, the “Fluffy Rose” and the pattern of my dishes, the “Moss Rose”, produced 1934-65.
My “Moss Rose”:
Here are examples of the “Fluffy Rose” pattern from: TGL Direct.com –Which has loads of vintage china for sale, & an interesting, informative blog.
Isn’t it a beautiful pattern…?! So pretty & feminine.
![DSC04311 (2) DSC04311 (2)](http://lh4.ggpht.com/-uM_r_3SL4EU/U_T7yVgCANI/AAAAAAAABhY/KyFTKjmWFeY/DSC043112_thumb9.jpg?imgmax=800)
The date of manufacture can be determined from the back stamp- the first mark is an internal mark. The 64 is 1964, N is the plant #4, and 8 stands for August.
For more information, go to the Homer Laughlin website: http://www.hlcdinnerware.com/about/history
Hope you are having a great day-Carole
![96053404522027131_ZmlZBWJC_c 96053404522027131_ZmlZBWJC_c](http://lh5.ggpht.com/-gxKr7fe754c/U_T70mbS4TI/AAAAAAAABhs/OlUXtpg-Q2k/96053404522027131_ZmlZBWJC_c_thumb%25255B8%25255D.jpg?imgmax=800)
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